As Teenagers both playing in bands in country Victoria, Chris and Sean had a passion for music. Meeting and forming a band together ‘gave us the opportunity to perform original music with regular gigs’. After success locally, and two EP’s, priorities changed to family and business. Over the years Chris and Sean have remained good mates, and it was inevitable that one day the music would be revisited.
The remarkable return as the Lostsong Project, isn’t just a nostalgic reunion—it’s a creative explosion. With Four powerful albums. Two- incredible Independent Rock Albums—with a U.S award winning Rock song ‘Dance for No-One’ (imagine a Robert Palmer/QOTSA stomper). -The other two- a blend of Australian/Nashville-style country and worship. These albums are stories of faith, grit, and redemption through music and the world is starting to listen: Multiple wins and nominations across all three albums in songwriting awards suggests that Australians Christopher Mustica and Sean Bowens second Act as the Lostsong Project will be their best yet.
It’s a reminder that the dreams we bury never really die—and sometimes, they sound better with age.
‘Though they are unveiling a brand new project, you wouldn’t consider longtime friends Christopher Mustica and Sean Bowen to be rookies on the music scene. Writing songs together since their formative years, the duo now find themselves teaming up under the moniker Lostsong Project. It’s clear that these talented two have the skills and experience necessary to create a must-hear album’.
‘LSP expertly weaves classic stylings together, and proves the duo’s masterful musicianship inside of their genre- bending brand of rock-and-country smash with powerful ballads. The John Lennonesque piano/ symphonic epic ‘Before The Sun’ paints a beautiful image of God’s everlasting pursuit of our hearts, making it our favorite track.
Lostsong Project clearly have a successful launching pad for making much more memorable music to come’.
– CCM Magazine staff
The songs were tracked in their own studios in Australia and in Nashville, then remixed and tweaked at both ‘The Grove Studios’ (Silverchair/Eskimo Joe/INXS) in Gosford, and ‘The Base’ in South Melbourne with Phil Threlfall (Seth Sentry/Bliss n Esso), before being mastered by Jack the Bear (Melbourne) and Leon Zervos (Studio301) Sydney.